(2023)
The Dynamic Characteristics of "Jeong ?": A New Perspective on the Korean Neo-Confucian Four-Seven Debate.
RELIGIONS.
14,
5
(2022)
Korean Aesthetic Ideals: "Jayeon".
JOURNAL OF AESTHETICS AND ART CRITICISM.
80,
3
(2021)
동학공동체의 ‘철학적 근대’ ― “개벽”개념의 성립과 계승 및 변용을 중심으로 ―.
한국철학논집.
1,
71
(2021)
멀리서 읽는 “우리”― Word2Vec, N-gram을 이용한 근대 소설 텍스트 분석.
대동문화연구.
1,
115
(2020)
INTRODUCTION: CHINESE AESTHETICS IN THE CONTEMPORARY WORLD.
JOURNAL OF CHINESE PHILOSOPHY.
47,
1-2
(2020)
Musical Metaphors in Chinese Aesthetics.
JOURNAL OF CHINESE PHILOSOPHY.
47,
1-2
(2020)
Danger of Sound: Mozi's Criticism of Confucian Ritual Music.
PHILOSOPHICAL FORUM.
51,
1
(2019)
성균의 의미(Ⅱ) : “성균(成均)”과 “성균관(成均館)”의 관계.
한국철학논집.
61
(2019)
성균의 의미(Ⅰ): “성균(成均)”에 대한 문헌 고찰과 새로운 해석 가능성 탐색.
한국철학논집.
60
(2018)
Originality from Cultural Boundary: Assimilation and Reconstruction of Music Education in Korea.
國際版<儒敎文化硏究>.
30
(2018)
도가적 공존: 벗으로서의 가족.
중국학보.
84
(2017)
Guest Editor's Introduction: Music and Philosophy in Early China.
DAO-A JOURNAL OF COMPARATIVE PHILOSOPHY.
16,
3
(2017)
Sound and Notation: Comparative Study on Musical Ontology.
DAO-A JOURNAL OF COMPARATIVE PHILOSOPHY.
16,
3
(2016)
Philosophizing Jigi 至氣 of Donghak 東學 as Experienced Ultimate Reality.
國際版<儒敎文化硏究>.
26,
2
(2015)
Donghak’s Transformation and Experimentation of Confucian Publicity.
Concepts and Contexts in East Asia.
4,
1
(2015)
On Sound: Reconstructing a Zhuangzian Perspective of Music.
Humanities.
5,
3
(2015)
Music as a necessary means of moral education: a case study from reconstruction of Confucian culture in Joseon Korea.
International Communication of Chinese Culture.
2,
2
(2013)
<Inter-culturality and Philosophic Discourse>
"Sound, Tone, and Music in Early China: Philosophical Foundation for Chinese Sound Culture".
Cambridge Scholars Publishing.
공동
학술회의논문
(2022)
지식인과 민중 사이: 동학공동체에서 실험되었던 앎과 삶에 대하여.
2022년 성균 한국인문학 국제학술대회.
대한민국
(2021)
[Keynote Speech] “Emotional Reasoning: The Dynamic Characteristics of Jeong 情 in Traditional and Contemporary Korean Culture”.
International Graduate Students Conference.
대만
(2021)
“Korean Aesthetic Ideal, Jayeon”.
2021 IKPC ONLINE INTERNATIONAL WORKSHOP.
대한민국
(2020)
한국철학과 박동환 철학.
한국연구원 제1회 학술심포지움.
대한민국
(2020)
조선 초기 의례음악 재건의 의미.
“조선 초기의 의례음악과 교화 ”.
대한민국
(2020)
Moderating "Book Panel on Sungmoon Kim’s Theorizing Confucian Virtue Politics: The Political Philosophy of Mencius and Xunzi".
"Book Panel on Sungmoon Kim’s Theorizing Confucian Virtue Politics: The Political Philosophy of Mencius and Xunzi".
대한민국
(2020)
성균의 철학적 의미와 교육적 이상.
심산 김창숙연구회 2020 학술대회 - 성균관의 전통과 근대학문사.
대한민국
(2019)
묵자의 음악론: 유교 예악 이론에 대한 비판으로서.
제 31회 중국고전철학회 토론회.
대한민국
(2019)
Ritual and Music Revisited.
SICEP International Conference on "Confucianism, Rituals, and Modern Life".
대한민국
(2019)
Inspiration for Korean philosophy:Sungkyun 成均, Educational Ideal as Musical Metaphor.
The 6th Annual NAKPA Meeting 2019.
아일랜드
(2019)
成均,韓國儒學的教育理想.
第八届中·日·韩三國國際學術研討會“地球文明的未来——挑戰和應對中的亞洲傳統.
중국
(2019)
Musical Harmony (hé和) in the Zhuangzi.
“The Modern Value of Traditional Chinese Aesthetic Categories”.
중국
(2019)
도가는 자연주의인가, 반자연주의인가.
2019 한국철학회 춘계학술대회.
대한민국
(2019)
“Hé(和)”, Concept Cluster of Harmony in Early China.
Invited Lecture series at Center for East Asian and Comparative Philosophy.
홍콩
(2018)
Musical Harmony in the Zhuangzi.
International Workshop on “Conceptions of Harmony in Chinese Thought”.
싱가포르
(2018)
한국미학을 찾아서.
서강 CORE 2018 인문주간 "다정다감한 인문학".
대한민국
(2018)
Ecological Self in the Zhuangzi: Upside-down image of Human beings.
the 5th World Humanities Forum, “The Human Image in a Changing World,”.
대한민국
(2018)
Royal Lecture on Confucian Classics 經筵in Joseon Korea: Live commentaries of Korean Neo-Confucianism.
World Consortium for Research in Confucian Cultures, 世界儒學文化研究聯合會 The 3rd Biennial Conference, “Chinese Classics and the Commentarial Traditions in East Asia”.
홍콩
(2018)
Zhuangzi: Beyond the Inner ChaptersMastering Life (ch. 19).
Zhuangzi: Beyond the Inner Chapters The Second International Workshop.
미국
(2018)
유교적 공공성에 대한 동학의 혁신과 실험.
제15차 원불교사상연구원 대학중점연구소 공공성 콜로키움.
대한민국